Peter Rostovsky © 2025

 

                      by Amanda Chiado


 

The Lonely Moon Opera


—Years. And every morning I was driven down the same road. My father’s back, hugging to his back. My brother between his legs. The rhythm of a moped beneath us, rushing and sputtering. Directed, I imagined then, equally by each of us. It was true that when the weight of my father shifted left, my weight shifted left, and the road slipped away to the right. And always his back was half of my view. I saw two. Like through the wide-set eyes of a rabbit or a fish, only to either side. Townhouses gave way to weed-filled lots, each morning I could only hold on for so long, weed-filled lots gave way to fields of rice, then countryside, before I craned my neck. And there it was. The face of a car growing on the road behind us. A common car, silver and slim, drawing up beside us. The morning light made mirrors out of its windows. Mirrors of me and my brother and my father bending to its edge, our features pressing featurelessly together, a cheek to a back, chin to scalp, two pairs of hands to the handlebars. Then the car sped off. But our reflection went on blinking in my eyes. The passing country, over and over, interrupted by our three-headed foreignness.

 

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Amanda Chiado holds degrees from the University of New Mexico, California College of the Arts, and Grand Canyon University. Her chapbook Prime Cuts was just released from Bottlecap Press, and she is the author of Vitiligod: The Ascension of Michael Jackson (Dancing Girl Press).