Margeaux Walter © 2021

Margeaux Walter © 2021

 

                      by Tom Laichas


 

Santa Catalina Island Viewed from

Venice Beach

1.

Facing Catalina, I stand as still as I can, as if the island is a small bird that might startle to flight.  

Blue and remote, the island is no further than anywhere else in my city. 

Its mountain shares a horizon with a summer-setting Moon. Watched too intently for too long, both vanish behind clouds. It’s a fugitive’s habit.

2.

Venice and Avalon are pilgrimage sites, two American Canterburys. They traffic in relics: postcards, t-shirts, an ocean’s blessed water.

Both beaches endure a Jerusalem heat. Tourists are sun-smote, their eyes sunken and weary.

One woman has her finger behind a sunglass lens, wiping something away. It’s a lash, an itch, a cinder, a tear. She does it again.

Poor traveler: what brought this on?

3.  

Last night’s TV aired hate without interruption, even after I switched it off. Can’t sleep. At sunrise I walk the mile between my bed and the water. 

No one else is out. Even the gulls are silent.  To the south, Catalina reappears, crisp and quiet.

 

Tom Laichas’s recent work has appeared or is forthcoming in Spillway, Aji, La Piccioletta Barca, Evening Street Review, Monday Night, Ambit, and elsewhere. He is the author of the collection Empire of Eden (High Window Press, 2019) and the chapbook Sixty-Three Photographs at the End of a War (3.1 Press, 2021).